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33.   Vickery, Walter. Death of a Poet. Indiana Univ. Press, 1962.

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39.   Kostka, Edmund K. Schiller in Russian Literature. London: Oxford Univ. Press, 1965. 314 p. (University of Pennsylvania Studies in Germanic Languages and Literatures). [P. 49-80: Chap. II: Lermontov.]

40.   Gronicka, André von. Lermontov’s Debt to Goethe. A Reappraisal // Revue de littérature comparée. (Paris). Tome XL. 1966. No 4. P. 567-584.

41.   L’Ami, C. E. / Welikotny, Alexander. Michael Lermontov: Biography and Translation. Winnipeg: Univ. of Manitoba Press, 1967. 400 p.

42.   Lewanski R. C. The Literatures of the World in English Translation. A Bibliography. Vol. 2: The Slavic Literatures. New York, 1967. P. 286-296.

43.   Reeve, Franklin Delano. The Russian Novel. London: Muller, 1967. VI, 397 p.

44.   Lemmon, Dallas Marion Jr. The Rovelle, or The Novel of Interrelated Stories: M. Lermontov, G. Keller, S. Anderson. Indiana Univ., Ph. D. 1970. (Authorized facsimile, produced by microfilm-xerography, 1978, University Microfilms International, Ann Arbor / London). 226 p.  [P. 26-56: Chap. II: The structure of a “cycle-rovelle” – Lermontov’s “A hero of our time”. P. 107-125: Chap. V: Veils, or inter-story characterizations in “A hero of our time”. Abstract in: Dissertation Abstracts International (1201-1400). 70-26,  935.]

45.   Heier, Edmund. Lavater’s System of Physiognomy as a Mode of Characterization in Lermontov’s Prose // Arcadia: Zeitschrift für vergleichende Literaturwissenschaft. 1971. Jg. 6. S. 267-282.

46.   Boyd, Alexander Frederick. Aspects of the Russian Novel. London: Chatto, Windus, 1972. 134 p.

47.   Freeborn, Richard. The Rise of the Russian Novel: Studies in the Russian Novel from Eugene Onegín to War and Peace. London: Cambridge Univ. Press, 1973. 289 p.

48.   Cosman, Tatiana M. The Letter as a Literary Device in the Fiction of Puškin, Lermontov and Gogol’. Ann Arbor: Univ. Microfilms, 1975. 174 p.

49.   Goscilo, Helena. From Dissolution to Synthesis: The Use of Genre in Lermontov’s Prose. PhD diss. Indiana Univ., 1976.

50.   Berry, Thomas Edwin. Pushkin, Lermontov, Turgenev, Tolstoi. Hamden, Conn.: Archon Books, 1977 XIV, 226 p.

51.   Kelly, Laurence. Lermontov: Tragedy in the Caucasus. London: Constable, 1977. 259 p.

52.   Thompson, Margareta. The Genesis of Lermontov’s “Demon”. M.A. thesis. Univ. of North Carolina, 1978.

53.   Turner, C. J. G. Pechorin – An Essay on Lermontov’s “A Hero of Our Time”. Birmingham Univ., 1978. VI, 93 pp. (Birmingham Slavonic Monographs; 5).

54.   Wilkinson, Joel Lynn. The Development of the Ballad in Russian Literature by Michail Jur’evič Lermontov (1814-1841). Ann Arbor: Univ. Microfilms, 1980. 440 p.

55.   Garrard John, Mikhail Lermontov. Boston: Twayne, 1982. 173 p. (Twayne’s World Authors Series; 667).

56.   Kelly, Laurence. Lermontov: Tragedy in the Caucasus. London: Clark, 1983. 259 p.

57.   Liberman, Anatoly. Mikhail Lermontov: Major Poetical Works. Minneapolis: Univ. of Minnesota Press, 1983.

58.   Todd, William Mills. Fiction and Society in the Age of Pushkin: Ideology, Institutions, and Narrative. Cambridge, Mass. [etc.]: Harvard Univ. Press, 1986. VIII, 265 p.

59.   Vickery, Walter N. Khukhel’beker’s “On the Death of Cherov” and Lermontov’s “The Death of a Poet”: The ‘Foreigners’ // Studies in Russian Literature in Honor of Vsevolod Setchkarev. Ed. by Julian W. Connoly and Sonia I. Ketchian. Columbus, Ohio: Slavica, 1986. P. 255-273.

60.   Barratt, Andrew / Briggs, A. D. P. A Wicked Irony: The Rhetoric of Lermontov’s “A Hero of Our Time“. Bristol: Bristol Classical Press, 1989. IV, 139 p.

61.   Gilroy, Marie. The Ironic Vision in Lermontov’s “A Hero of Our Time”. Birmingham: Univ. Press, 1989. 82 p.

62.   Gilroy, Marie. The Ironic Vision of Lermontov’s “A Hero of Our Time” // Dissertation Abstracts International. 1989. Vol. 49. No. 10. 3043A (dissertation abstract).

63.   Sandler, Stephanie. The Law, the Body, and the Book: Three Poems on the Death of Pushkin // Canadian-American Slavic Studies. 1989. Vol. 23. No. 3. P. 281-312.

64.   Vickery, Walter. On the Incidence of the Attributive Adjective in Lermontov’s Poetry // Russian Verse Theory. Ed. by Barry P. Scherr and Dean S. Worth. Columbus, Ohio: Slavica, 1989. P. 441-454.

65.   Aizlewood, Robin. “Geroi nashego vremeni” as Emblematic Prose Text // From Pushkin to Palisandria: Essays on the Russian Novel in Honor of Richard Freeborn. Ed. by Arnold McMillin. New York: St. Martin’s, 1990. P. 39-51.

66.   Bayley, John. You May Not Need to Know This // London Review of Books. 1990. Aug. 30. No. 12 (16). P. 15-16.

67.   Brodsky, Patricia P. The Demons of Lermontov and Vrubel’ // Slavic and East European Arts. 1990. Vol. 6. No. 2. P. 16-32.

68.   Franz, Thomas R. Camilo José Cela and His Patternings à la Lermontov. Des Moines, IA: Orrin Frink, 1990. 11 p.

69.   Golstein, Vladimir. Enigma of Heroism in Lermontov’s “Pesnia pro tsaria Ivana Vasil’evicha, molodogo oprichnika i udalogo kuptsa Kalashnikova” // Записки русской академической группы в США / Transactions of the Association of Russian-American Scholars in the USA. 1990. Vol. 23. P. 29-49.

70.   Kesler, R. L. Fate and Narrative Structure in Lermontov’s “A Hero of Our Time” // Texas Studies in Literature and Language. 1990. Vol. 32. No. 4. P. 485-505.

71.   Waszink, Paul M. Artist, Writer and Peircean Interpretant: Some Observations on Russian Nineteenth-Century Art and Literature // Zeitschrift für Slavische Philologie. 1990. Jg. 50. Heft 2. P. 305-329.

72.   Woronzoff, Alexander. The Pattern of Discovery in Lermontov’s “Hero of Our Time” and Vigny’s “Servitude et grandeur militaires” // Записки русской академической группы в США / Transactions of the Association of Russian-American scholars in the USA. 1990. Vol. 23. P. 51-61.

73.   Vishnevsky, Anatoly. Demonic Games, or The Hidden Plot of Mixail Lermontov’s “Knjažna Meri” // Wiener Slawistischer Almanach. 1991. Jg. 27. P. 55-71.

74.   Andrew, Joe. The Blind Will See: Narrative and Gender in “Taman” // Russian Literature. 1992. Vol. 31. No. 4. P. 449-476.

75.   Mikhail Lermontov: Commemorative Essays. Ed. by A. D. P. Briggs. Birmingham: Univ. of Birmingham, 1992 (Birmingham Modern Languages publications; 7). 152 p.  [Contains papers from a one-day commemorative conference held at the University of Birmingham, July 13, 1991.]

76.   Meyer, Priscilla. Lermontov’s Reading of Pushkin: “The Tales of Belkin” and “A Hero of Our Time” // The Golden Age of Russian Literature and Thought. Ed. by Derek Offord. New York: St. Martin’s, 1992. P. 58-75.

77.   Reid, Robert. Ethnotope in Lermontov’s Caucasian Poèmy // Russian Literature. 1992. Vol. 31. No. 4. P. 555-573.

78.   Scotto, Peter. Prisoners of the Caucasus: Ideologies of Imperialism in Lermontov’s “Bela”// PMLA: Publications of the Modern Language Association of America. 1992. Vol. 107. No. 2. P. 246-260.

79.   Axelrod, M. R. The Psychoanalytic Notion of Weltschmerz in Mikhail Lermontov and “A Hero of Our Times” // Literature and Psychology. 1993. Vol. 39. No. 1-2. P. 112-120.

80.   Eng, Jan van der. The Character Maksim Maksimyč // Russian Literature. 1993. Vol. 34. No. 1. P. 21-36.

81.   Golstein, Vladimir. Heroes of Their Times: Lermontov’s Representation of the Heroic Self // Dissertation Abstracts International. 1993. Vol. 53. No. 11. 3933A-3934A (dissertation abstract).

82.   Hansen Löve, Katharina. The Structure of Space in Lermontov’s “Mcyri” // Russian Literature. 1993. Vol. 34. No. 1. P. 37-58.

83.   Pollak, Nancy. Sound as Vision in Lermontov’s “Vykhozhu odin ia na dorogu” // Elementa: Journal of Slavic Studies and Comparative Cultural Semiotics. 1993. Vol. 1. No. 2. P. 159-165.

84.   Rancour-Laferriere, Daniel. Lermontov’s “Farewell to Unwashed Russia”: A Study in Narcissistic Rage // Slavic and East European Journal. 1993. Vol. 37. No. 3. P. 293-304.

85.   Waszink, Paul. “Don’t We Know False Shame?” Negations, Questions and Omissions as Dialogic Elements in Lermontov’s Poetry // Zeitschrift für slavische Philologie. 1993. Bd. 53. Heft 1. P. 169-203.

86.   Langleben, M. “A Hebrew Melody” by Byron and Lermontov: Persuasion by Paradigm // Approaches to Poetry. Berlin; New York, 1994. P. 152-180.

87.   Crone, Anna Lisa. “Balaganchik”, “Maskarad” and “Poema bez geroia”: Meierkhol’dian Expressions of the Artist’s Crisis in Twentieth-Century Russia // Canadian Slavonic Papers / Revue Canadienne des slavistes: An Interdisciplinary Journal Devoted to Central and Eastern Europe. 1994. Vol. 36. No. 3-4. P. 317-332.

88.   Hansen Löve, Katharina. The Evolution of Space in Russian Literature: Spatial Reading of 19-th and 20-th Century Narrative Literature. Amsterdam: Rodopi, 1994. 174 p.

89.   Layton, Susan. Russian Literature and Empire: Conquest of the Caucasus from Pushkin to Tolstoy. Cambridge: Univ. of Cambridge, 1994. 354 p. (Cambridge Studies in Russian Literature). [P. 133-155: Ch. 8: “Early Lermontov and Oriental Machismo”.]

90.   Layton, Susan. Lermontov in Combat with “Biblioteka dlia chteniia” // Cahiers du Monde Russe. 1994. T. 35. No. 4. P. 787-802.

91.   Miller, Tsetsiliia. Lermontov Reads “Eugene Onegin” // The Russian Review: An American Quarterly Devoted to Russia Past and Present. 1994. Vol. 53. No. 1. P. 59-66.

92.   Saelman, Helen. Lermontov’s Pečorin // Dutch Contributions to the Eleventh International Congress of Slavists, Bratislava, August 30 – September 9, 1993: Literature. Ed. by Willem G. Weststeijn. Amsterdam: Rodopi, 1994. P. 269-300.

93.   Waszink, Paul M. Not Mine but the Poet’s Heart: Vygotskij’s Concept of Katharsis and Dialogical Speech in Album-Lines by Byron and Lermontov // Dutch Contributions to the Eleventh International Congress of Slavists, Bratislava, August 30 – September 9, 1993: Literature. Ed. by Willem G. Weststeijn. Amsterdam: Rodopi, 1994. P. 315-330.

94.   Waszink, Paul M. “This Is Not a Poem”: Illustrations in the Autographs of Some Lermontov Poems // Slavonica. 1994. Vol. 1. No. 2. P. 76-93.

95.   Diment, Galya. Three Russian Poets // The Garland Companion to Vladimir Nabokov. Ed. by Vladimir E. Alexandrov. New York: Garland, 1995. P. 709-714.

96.   Hokanson, Katya Elizabeth. Empire of the Imagination: Orientalism and the Construction of Russian National Identity in Pushkin, Lermontov, and Tolstoi // Dissertation Abstracts International. 1995. Vol. 55. No. 7. 1985A (dissertation abstract).

97.   Matual, David. Women and Horses in Mikhail Lermontov’s “A Hero of Our Time” // International Fiction Review. 1995. Vol. 22. No. 1-2. P. 8-14.

98.   Powelstock, David Lee. Poet as Officer and Oracle: Mikhail Lermontov’s Aesthetic Mythology // Dissertation Abstracts International. 1995. Vol. 56. No. 5. 1814A (dissertation abstract).

99.   Ram, Harsha. Translating Space: Russia’s Poets in the Wake of Empire // Between Languages and Cultures: Translation and Cross-Cultural Texts. Ed. by Anuradha Dingwaney and Carol Maier. Pittsburgh, PA: Univ. of Pittsburgh, 1995. P. 199-222.

100.                       Reed, Natasha Alexandrovna. Reading Lermontov’s “Geroj našego vremeni”: Problems of Poetics and Reception // Dissertation Abstracts International. 1995. Vol. 56. No. 1. 215A (dissertation abstract).

101.                       Todd, William Mills, III. “A Hero of Our Time” // The Garland Companion to Vladimir Nabokov. Ed. by Vladimir E. Alexandrov. New York: Garland, 1995. P. 178-183.

102.                       Goldfarb, David A. Lermontov and the Omniscience of Narrators // Philosophy and Literature. 1996. Vol. 20. No. 1. P. 61-73.

103.                       Laurita, Mary B. The Demon as Poetic Metaphor from Lermontov to Akhmatova // Dissertation Abstracts International. 1996. Vol. 56. No. 12. 4799A (dissertation abstract).

104.                       Reid, Robert. Lermontov: A Hero of Our Time. Bristol: Bristol Classical Press, 1996. 128 p.

105.                       Kuhiwczak, Piotr. Translations and National Canons: Slav Perceptions of English Romanticism // Essays and Studies. 1997. Vol. 50. P. 80-94. (Лермонтов и Байрон).

106.                       Allen, Elizabeth Cheresh. Lermontov’s “Not-Byronism”: A Reconsideration // Romantic Russia. 1998. Vol. 2. P. 9-34.

107.                       Bagby, Lewis. Inscription in “Fatalist” // Romantic Russia. 1998. Vol. 2. P. 35-47.

108.                       Ewington, Amanda. A Demon in the Drawing Room: Echoes of “The Demon” in Lermontov’s “Masquerade” // Romantic Russia. 1998. Vol. 2. P. 95-124.

109.                       Golstein, Vladimir. Lermontov’s Narratives of Heroism. Evanston, IL: Northwestern Univ. Press; 1998. X, 244 p.

110.                       Helfant, Ian. Gambling Practices and the (Dis)honorable Acts of Lermontov’s “Masquerade” // Romantic Russia. 1998. Vol. 2. P. 125-143.

111.                       Hendrickson-Hodovance, Vicki Jean. Bloodlust and Ennui: The Literary Superfluous Man and the Crisis of Aristocracy in Nineteenth-Century Russian Prose Fiction // Dissertation Abstracts International, Section A: The Humanities and Social Sciences. 1998. Vol. 59. No. 3. 814  (dissertation abstract).

112.                       Powelstock, David. Living into Language: Mikhail Lermontov and the Manufacturing of Intimacy // Russian Subjects: Empire, Nation, and the Culture of the Golden Age. Ed. and introd. by Monika Greenleaf and Stephen Moeller-Sally. Evanston, IL: Northwestern Univ. Press, 1998. P. 297-324.

113.                       Powelstock, David. Loving the Ineffable: Lermontov’s Poetics of Desire // Romantic Russia. 1998. Vol. 2. P. 49-93.

114.                       Reid, Robert. “Bela” and “The Demon”: Structural Affinities // Neo-Formalist Papers. Ed. and preface by Joe Andrew and Robert Reid. Amsterdam: Rodopi, 1998. P. 151-167.

115.                       Powelstock, David. Mikhail Iur’evich Lermontov // Russian Literature in the Age of Pushkin and Gogol: Poetry and Drama. Ed. and introd. by Christine A. Rydel. Detroit, MI: Thomson Gale, 1999. P. 179-205.

116.                       Anderson, Phillip B. Romantic Myth and the Failure of Romantic Love in Mikhail Lermontov’s The Demon // Publications of the Arkansas Philological Association. 2000, Spring. Vol. 26 (1). P. 1-12.

117.                       Bidney, Martin. Andreas-Salomé’s Devil and Lermontov’s Demon // Seminar. A Journal of Germanic Studies. 2000. Vol. 36. No. 1. P. 141-158.

118.                       Davidson, Pamela. The Muse and the Demon in the Poetry of Pushkin, Lermontov, and Blok // Russian Literature and Its Demons. Ed., preface, and introd. by P. Davidson. New York: Berghahn, 2000. P. 167-213.

119.                       Heier, Edmund. Comparative Literary Studies: Lermontov, Turgenev, Goncharov, Tolstoj, Blok, Lavater, Lessing, Schiller, Grillparzer. Munich: Sagner; 2000. 201 p.

120.                       Masing-Delic, Irene. The Impotent Demon and Prurient Tamara: Parodies on Lermontov’s “Demon” in Dostoevskij’s Besy // Russian Literature. 2000. Vol. 48. No. 3. P. 263-288.

121.                       Pyman, Avril. The Demon: The Mythopoetic World Model in the Art of Lermontov, Vrubel, Blok // Russian Literature and Its Demons. Ed., preface, and introd. by P. Davidson. New York: Berghahn, 2000. P. 333-370.

122.                       Reid, Robert. Lermontov’s The Demon: Identity and Axiology // Russian Literature and Its Demons. Ed., preface, and introd. by P. Davidson. New York: Berghahn, 2000. P. 215-239.

123.                       Stillmark, Alexander. Heine and the Russian Poets from Lermontov to Blok // Heine und die Weltliteratur. Ed. by T. J. Reed [et al.]. Oxford: Legenda, 2000. P. 150-167.

124.                       Vickery, Walter N.  M. Iu. Lermontov: His Life and Work. München: Sagner, 2001. 422 p. (Slavistische Beiträge; 409).

125.                       Vishnevsky, Anatoly. Playing with a Used Deck: Echoes of Pushkin’s “The Queen of Spades” in Lermontov’s “The Fatalist” // Canadian Slavonic Papers / Revue Canadienne des Slavistes: An Interdisciplinary Journal Devoted to Central and Eastern Europe. 2001. Vol. 43. No. 2-3. P. 195-208.

126.                       Allen, Elizabeth Cheresh. Unmasking Lermontov’s “Masquerade”: Romanticism as ideology // Slavic and East European Journal. 2002. Vol. 46. No. 1. P. 75-97.

127.                       Daly, Heather. Towards the Prosaics of Poetry: Pushkin’s “Graf Nulin” and Lermontov’s “Tambovskaia kaznacheisha” // Pushkin Review / Пушкинский вестник. 2002. Vol. 5. P. 47-65.

128.                       Lermontov’s “A Hero of Our Time”: A Critical Companion. Ed. by Lewis Bagby (American Association of Teachers of Slavic and East European Languages). Evanston, Ill.: Northwestern Univ. Press, 2002. X, 206 p. (Northwestern/AATSEEL critical companions to Russian literature). [P. 3-27: Bagby, Lewis. Mikhail Yur’evich Lermontov and “Hero of Our Time”. – P. 28-45: Belinsky, Vissarion. “A Hero of Our Time”. – P. 46-63: Eikhenbaum, B. M. “A Hero of Our Time”. – P. 64-84: Layton, Susan. Ironies of Ethnic Identity. – P. 85-105: Costlow, Jane. Compassion and the Hero: Women in “A Hero of Our Time”. – P. 106-114: Kotlyarevsky, Nikolai. Mikhail Iur’evich Lermontov: The Poet’s Personality and His Work. – P. 115-123: Fisher, Vladimir. Lermontov’s Poetics. – P. 125-134: Durylin, Sergei. The Caucasus and Caucasian Peoples in Lermontov’s Novel. – P. 135-137: Gershtein, Emma. Lermontov’s Fate. – P. 138-141: Levin, V. The Genuine Meaning of Pechorin’s Monologue. – P. 197-204: Bibliographical references.]

129.                       Meyer, Priscilla. An Author of His Time: Lermontov Rewrites George Sand // New Zealand Slavonic Journal. 2002. Vol. 36. P. 173-182.

130.                       Tippner, Anja. Vision and Its Discontents: Paradoxes of Perception in M. Ju. Lermontov’s “Geroj našego vremeni” // Russian Literature. 2002. Vol. 51. No. 4. P. 443-469.

131.                       Kelly, Laurence. Lermontov: Tragedy in the Caucasus. London: Tauris Parke, 2003. 259 p.

132.                       Ram, Harsha. The Imperial Sublime: A Russian Poetics of Empire. Madison, WI: Univ. of Wisconsin Press, 2003. X, 307 p.

133.                       Leatherbarrow, W. J. Pechorin’s Demons: Representations of the Demonic in Lermontov’s “A Hero of Our Time” // Modern Language Review. 2004. Vol. 99. No. 4. P. 999-1013.

134.                       O’Neil, Catherine. Byron’s Sea in Pushkin and Lermontov // Byron Journal. 2004. Vol. 32. No. 2. P. 110-113.

135.                       Sandler, Stephanie. The Law, the Body, and the Book: Three Poems on the Death of Pushkin.  Stanford, CA: Stanford Univ. Press, 2004.

136.                       Sandler, Stephanie. Commemorating Pushkin: Russia’s Myth of a National Poet. Stanford, CA: Stanford Univ. Press, 2004.

137.                       Edmond, Jacob B. P. From Pathos to Parody: Ambivalent Antithesis and Echoes of “Vychožu odin ja na dorogu” in “Obraz tvoj mučitel’nyj i zybkij” from Osip Mandel’štam’s “Kamen” // Russian Literature. 2005. Vol. 58. No. 3-4. P. 357-373.

138.                       Kutlik, Ilya. Writing as Exorcism: The Personal Codes of Pushkin, Lermontov, and Gogol. Evanston, IL: Northwestern Univ. Press, 2005. XIII, 152 p.

139.                       Powelstock, David. Becoming Mikhail Lermontov: The Ironies of Romantic Individualism in Nicholas I’s Russia. Evanston, IL: Northwestern Univ. Press, 2005. XII, 582 pp.

140.                       Yoon, Saera. Mythical Imagination in Historical Fiction: Pushkin, Lermontov and Gogol // Dissertation Abstracts International, Section A: The Humanities and Social Sciences. 2005. Vol. 65. No. 8. 3011 (dissertation abstract).

141.                       O’Connor, Katherine Tiernan. Chekhov’s Letter to Lermontov //  Chekhov 2004: Chekhov Special Issues in two volumes. Ed. and preface by Joe Andrew and Robert Reid. Keele, 2006. Vol. II. P. 272-289.

142.                       Powelstock, David. Fashioning “Our Lermontov”: Canonization and Conflict in the Stalinist 1930s // Epic Revisionism: Russian History and Literature as Stalinist Propaganda. Ed. and introd. by Kevin M. F. Platt and David Brandenberger. Madison, WI: Univ. of Wisconsin Press, 2006. P. 283-307.

143.                       Sklyarenko, Alexey. Russian Poets and Potentates as Scots and Scandinavians in “Ada”; Three “Tartar” Poets // Nabokovian. 2006. Vol. 56. P. 49-63; 2006. Vol. 57. P. 39-57.

144.                       Allen, Elizabeth. A Fallen Idol Is Still a God: Lermontov and the Quandaries of Cultural Transition. Stanford: Stanford Univ. Press, 2007. XII, 286 p.

145.                       Frazier, M. [Review:] Powelstock, David. Becoming Mikhail Lermontov: The Ironies of Romantic Individualism in Nicholas I’s Russia. Evanston, IL: Northwestern Univ. Press, 2005 // Slavic and East European Journal. 2007. Vol. 51, No. 2. P. 394-395.

146.                       Powelstock, David. Violent Outcomes: Mikhail Lermontov and Romanticism’s Insoluble problems // Times of Trouble: Violence in Russian Literature and Culture. Ed. by Marcus C. Levitt and Tatyana Novikov. Madison, WI: Univ. of Wisconsin Press, 2007. P. 30-41.

147.                       Lešić-Thomas, Andrea. Focalization in Pushkin’s “Eugene Onegin” and Lermontov’s “A Hero of Our Time”: Loving the Semantic Void and the Dizziness of Interpretation // Modern Language Review. 2008. Vol. 103. No. 4. P. 1067-1085.

148.                       Meyer, Priscilla. How the Russians Read the French: Lermontov, Dostoevsky, Tolstoy. Madison, WI: Univ. of Wisconsin Press, 2008. XIV, 277 p.

149.                       Olson, Jennifer Marie. The Romantic Poet in Modern Garb: Four Interpretations of Karel Hynek Mácha and Mikhail Iurevich Lermontov during the Interwar Period // Dissertation Abstracts International, Section A: The Humanities and Social Sciences. 2008. Vol. 69. No. 6. 2295 (dissertation abstract).

150.                       Stelleman, Jenny. Traditional and Innovative Compositional Methods in Lermontov’s Dramatic Works // Russian Literature. 2008. Vol. 64. No. 1. P. 109-156.

151.                       Baak, Joost van. The House in Russian Literature: A Mythopoetic Exploration. Amsterdam: Rodopi, 2009.

152.                       McMillin, Arnold. Setting Lermontov: Some Musical Versions of the Poet’s Works // New Zealand Slavonic Journal. 2009. Vol. 43. P. 3-22.

153.                       O’Neil, C. Byronic Motifs in Lermontov’s Fantasy about His Father // Западный пушкинизм и российский байронизм: Проблемы взаимосвязей. Ред. И. А. Шишкова и О. П. Лисковая. М.: Лит. ин-т им. А. М. Горького, 2009. P. 112-124.

154.                       Niland, Richard. “Unfit for action … unable to rest”: Goethe, Lermontov, and under Western Eyes // Conradian: Journal of the Joseph Conrad Society. 2011. Vol. 36. No. 2. P. 63-78.

155.                       Schultze, Brigitte. Translational and Intermedial Diversification: Michail Ju. Lermontov’s “Maskarad” (1835) in Czech (1929-2008) // Zeitschrift für Slawistik. 2011. Jg. 56. Heft 2. P. 214-228.

156.                       Sobol, Valeria. The Uncanny Frontier of Russian Identity: Travel, Ethnography, and Empire in Lermontov’s “Taman” // Russian Review: An American Quarterly Devoted to Russia Past and Present. 2011. Vol. 70. No. 1. P. 65-79.

157.                       Volkov, Solomon. Romanov Riches: Russian Writers and Artists under the Tsars. New York: Knopf, 2011. XI, 274 p.

158.                       Feldman, Leah. Orientalism on the Threshold: Reorienting Heroism in Late Imperial Russia // Boundary 2: An International Journal of Literature and Culture. 2012. Vol. 39. No. 2. P. 161-180.